Die_Kunst_des_Alten_Ägyptens_Eine_Ressource_für_Educatoren. pdf

Diese kurze Einführung, die als Begleitmaterial für eine Vortragsreihe im Jahr 2024 erstellt wurde, stammt aus Vorlesungsnotizen und aus meiner fünfteiligen Reihe Read Like an Egyptian: Art and Architecture in Ancient Egypt, published in www. Academia. edu, im Jahr 2018.

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Due to the very dry climate and abundant burials in the tombs of ancient Egypt, paintings depicting scenes of everyday life have survived. This session will discuss the materials and production methods of ancient Egyptian art. Special attention will be paid to ceramics, glass and metal. However, many other arts will be explored, such as painting and weaving, as well as wooden furniture and stone and mud brick structures. During the course, the material will be presented at two levels. The first is the information that can be obtained from close inspection of the objects, as well as what is known about their production from sources such as wall paintings and texts. The second level will examine the materials used by the ancient Egyptians. This cannot necessarily be determined by looking at the object. On the subject of ancient materials, Lucas, along with Egyptologist Harris, conducts a detailed scientific study of the contents of the tomb of King Tut (r. 1332-1323 BC). Although some of the theories they proposed have been changed by later research, they provide a masterful discussion of what the ancient Egyptians used and how.

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Egypt: The Middle East in Focus, Vol. Mona Russell, 2013

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This article examines the role of artist in ancient Egypt in his social and cultural context and analyzes a variety of sources that can contribute to understanding the way of working in Egyptian artists and their works of art, whereby the focus is on the new empire. In recent years, new studies have analyzed the paintings, the teamwork of the painters and the variety of techniques they use. Other researchers have tried to reproduce the conditions under which the artists worked in a grave with an experimental approach. It is also pointed out how important it is to study the body of the diverse figurative Ostraka, as they can be very useful for understanding the work of the painter and its production. The answer to many questions regarding the ancient Egyptian works of art could be in the analysis of the creative process of the artists, which is caused by the strong artistic tradition, but is looking for originality that reveals its individuality.

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Caballero, Rosario / Díaz Vera, Javier E. (ed.), Sensuous Cognition. Exploration of human feeling: imagination, (e) motion and perception (applications of cognitive linguistics 22), 2013

Šajā rakstā aplūkotti daži redzējuma un conceptualizācijas mijiedarbības aspecti seno ēģiptiešu mākslā. Ēģiptiešu mākslai raksturīgo izskatu lielā mērā nosaka vairāki galvenia attēlēlērojamie principi, no kuriem daudzi ir sastopami arī citās mākslas tradīcijās. Zinātniskajā Literatūrā, Kas Saistīta Ar dažādām mākslas Tradīcijām, ir discutēts par Šī Facta iespaces of nozīmi, nepanākot vienotu viedokli. Aplūkojot Šo Jautājumu no Morisa Merlo-Ponti (Maurice Merleau-Ponty) Redzamā un neredzamā Jēdziena un Alva noē (Alva Noë) Perpectīvās īpašības Koncepcijas Viedoka, Ka ēģiptie Tradīciju mērķis ir iemūžināt objecta pieredzi, kas papildina to, Ko Sniedz Perspektīvie Attēli, un tas neozīmē dziļi iesakņojušās kognitīvās atšķirības starp Attiecīgajām Kultūrām, kā tas stimulatingēm tika pieņemts Agrāk. Tiek APGALVOTS, KA Šāds Objektu Attēlēlošanas Veids Paver IESPējas Attēl Only Conceptuālu Saturn Jas un Conceptuālās MetaForas Ziņā), Kas Tiek Saistīti Ar Atbilstošām Parādībām ēģiptiešu Valodā.